Chapter 10, Section 3

Passepartout offends the priests in a temple

Having purchased the usual quota of shirts and shoes, he took a leisurely promenade about the streets, where crowds of people of many nationalities–Europeans, Persians with pointed caps, Banyas with round turbans, Sindes with square bonnets, Parsees with black mitres, and long-robed Armenians–were collected. It happened to be the day of a Parsee festival. These descendants of the sect of Zoroaster–the most thrifty, civilised, intelligent, and austere of the East Indians, among whom are counted the richest native merchants of Bombay–were celebrating a sort of religious carnival, with processions and shows, in the midst of which Indian dancing-girls, clothed in rose-coloured gauze, looped up with gold and silver, danced airily, but with perfect modesty, to the sound of viols and the clanging of tambourines. It is needless to say that Passepartout watched these curious ceremonies with staring eyes and gaping mouth, and that his countenance was that of the greenest booby imaginable.

Unhappily for his master, as well as himself, his curiosity drew him unconsciously farther off than he intended to go. At last, having seen the Parsee carnival wind away in the distance, he was turning his steps towards the station, when he happened to espy the splendid pagoda on Malabar Hill, and was seized with an irresistible desire to see its interior. He was quite ignorant that it is forbidden to Christians to enter certain Indian temples, and that even the faithful must not go in without first leaving their shoes outside the door. It may be said here that the wise policy of the British Government severely punishes a disregard of the practices of the native religions.

Passepartout, however, thinking no harm, went in like a simple tourist, and was soon lost in admiration of the splendid Brahmin ornamentation which everywhere met his eyes, when of a sudden he found himself sprawling on the sacred flagging. He looked up to behold three enraged priests, who forthwith fell upon him; tore off his shoes, and began to beat him with loud, savage exclamations. The agile Frenchman was soon upon his feet again, and lost no time in knocking down two of his long-gowned adversaries with his fists and a vigorous application of his toes; then, rushing out of the pagoda as fast as his legs could carry him, he soon escaped the third priest by mingling with the crowd in the streets.

At five minutes before eight, Passepartout, hatless, shoeless, and having in the squabble lost his package of shirts and shoes, rushed breathlessly into the station.

Fix, who had followed Mr. Fogg to the station, and saw that he was really going to leave Bombay, was there, upon the platform. He had resolved to follow the supposed robber to Calcutta, and farther, if necessary. Passepartout did not observe the detective, who stood in an obscure corner; but Fix heard him relate his adventures in a few words to Mr. Fogg.

“I hope that this will not happen again,” said Phileas Fogg coldly, as he got into the train. Poor Passepartout, quite crestfallen, followed his master without a word. Fix was on the point of entering another carriage, when an idea struck him which induced him to alter his plan.

“No, I’ll stay,” muttered he. “An offence has been committed on Indian soil. I’ve got my man.”

Just then the locomotive gave a sharp screech, and the train passed out into the darkness of the night.

Among and Between

These descendants of the sect of Zoroaster--the most thrifty, civilised, intelligent, and austere of the East Indians, among whom are counted the richest native merchants of Bombay

Be careful when using among and between; many people get them confused. We use between when something is shared by two people. We use among when something is shared or distributed by groups of three or more. In this example, the richest merchants are distributed within the Zoroaster descendants. We can assume that the Zoroaster descendants are a large group of people, so there are more than two people. Learn more about using among and between.

Vocabulary

thrifty

\Thrift"y\ (thr[i^]ft"[y^])

Thriving by industry and frugality; prosperous in the acquisition of worldly goods; increasing in wealth; as, a thrifty farmer or mechanic.
— 1913 Webster

austere

\Aus*tere"\

Severe in modes of judging, or living, or acting; rigid; rigorous; stern; as, an austere man, look, life.
— 1913 Webster

airily

\Air"i*ly\ ([^a]r"[i^]*l[y^])

In an airy manner; lightly; gaily; jauntily; flippantly.
— 1913 Webster

disregard

\dis`re*gard"\

Not to regard; to pay no heed to; to omit to take notice of; to neglect to observe; to slight as unworthy of regard or notice; as, to disregard the admonitions of conscience.
— 1913 Webster

enraged

\enraged\

filled with or indicating extreme anger; as, an enraged bull.

crestfallen

\Crest"fall`en\

With hanging head; hence, dispirited; dejected; cowed.
— 1913 Webster

induced

To bring on; to effect; to cause; as, a fever induced by fatigue or exposure.
— 1913 Webster

squabble

\Squab"ble\

A scuffle; a wrangle; a brawl.
— 1913 Webster