Chapter 13, Section 4

Day breaks, and the sacrifice begins

The hours passed, and the lighter shades now announced the approach of day, though it was not yet light. This was the moment. The slumbering multitude became animated, the tambourines sounded, songs and cries arose; the hour of the sacrifice had come. The doors of the pagoda swung open, and a bright light escaped from its interior, in the midst of which Mr. Fogg and Sir Francis espied the victim. She seemed, having shaken off the stupor of intoxication, to be striving to escape from her executioner. Sir Francis’s heart throbbed; and, convulsively seizing Mr. Fogg’s hand, found in it an open knife. Just at this moment the crowd began to move. The young woman had again fallen into a stupor caused by the fumes of hemp, and passed among the fakirs, who escorted her with their wild, religious cries.

Phileas Fogg and his companions, mingling in the rear ranks of the crowd, followed; and in two minutes they reached the banks of the stream, and stopped fifty paces from the pyre, upon which still lay the rajah’s corpse. In the semi-obscurity they saw the victim, quite senseless, stretched out beside her husband’s body. Then a torch was brought, and the wood, heavily soaked with oil, instantly took fire.

At this moment Sir Francis and the guide seized Phileas Fogg, who, in an instant of mad generosity, was about to rush upon the pyre. But he had quickly pushed them aside, when the whole scene suddenly changed. A cry of terror arose. The whole multitude prostrated themselves, terror-stricken, on the ground.

The old rajah was not dead, then, since he rose of a sudden, like a spectre, took up his wife in his arms, and descended from the pyre in the midst of the clouds of smoke, which only heightened his ghostly appearance.

Fakirs and soldiers and priests, seized with instant terror, lay there, with their faces on the ground, not daring to lift their eyes and behold such a prodigy.

The inanimate victim was borne along by the vigorous arms which supported her, and which she did not seem in the least to burden. Mr. Fogg and Sir Francis stood erect, the Parsee bowed his head, and Passepartout was, no doubt, scarcely less stupefied.

The resuscitated rajah approached Sir Francis and Mr. Fogg, and, in an abrupt tone, said, “Let us be off!”

It was Passepartout himself, who had slipped upon the pyre in the midst of the smoke and, profiting by the still overhanging darkness, had delivered the young woman from death! It was Passepartout who, playing his part with a happy audacity, had passed through the crowd amid the general terror.

A moment after all four of the party had disappeared in the woods, and the elephant was bearing them away at a rapid pace. But the cries and noise, and a ball which whizzed through Phileas Fogg’s hat, apprised them that the trick had been discovered.

The old rajah’s body, indeed, now appeared upon the burning pyre; and the priests, recovered from their terror, perceived that an abduction had taken place. They hastened into the forest, followed by the soldiers, who fired a volley after the fugitives; but the latter rapidly increased the distance between them, and ere long found themselves beyond the reach of the bullets and arrows.

Vocabulary

animated

\An"i*ma`ted\

Endowed with life; full of life or spirit; indicating animation; lively; vigorous.
— 1913 Webster

espied

To catch sight of; to perceive with the eyes; to discover, as a distant object partly concealed, or not obvious to notice; to see at a glance; to discern unexpectedly; to spy; as, to espy land; to espy a man in a crowd.
— 1913 Webster

spectre

\Spec"tre\

Something preternaturally visible; an apparition; a ghost; a phantom.
— 1913 Webster

stupor

\Stu"por\

marginal consciousness.

seized

To fall or rush upon suddenly and lay hold of; to gripe or grasp suddenly; to reach and grasp.
— 1913 Webster

prodigy

\Prod"i*gy\

Something extraordinary, or out of the usual course of nature, from which omens are drawn; a portent; as, eclipses and meteors were anciently deemed prodigies.
— 1913 Webster

inanimate

\In*an"i*mate\

Not animate; destitute of life or spirit; lifeless; dead; inactive; dull; as, stones and earth are inanimate substances.
— 1913 Webster

audacity

\Au*dac"i*ty\

Daring spirit, resolution, or confidence; venturesomeness.
— 1913 Webster