Chapter 26, Section 2

The train journey passes quietly

The car which he occupied was a sort of long omnibus on eight wheels, and with no compartments in the interior. It was supplied with two rows of seats, perpendicular to the direction of the train on either side of an aisle which conducted to the front and rear platforms. These platforms were found throughout the train, and the passengers were able to pass from one end of the train to the other. It was supplied with saloon cars, balcony cars, restaurants, and smoking-cars; theatre cars alone were wanting, and they will have these some day.

Book and news dealers, sellers of edibles, drinkables, and cigars, who seemed to have plenty of customers, were continually circulating in the aisles.

The train left Oakland station at six o’clock. It was already night, cold and cheerless, the heavens being overcast with clouds which seemed to threaten snow. The train did not proceed rapidly; counting the stoppages, it did not run more than twenty miles an hour, which was a sufficient speed, however, to enable it to reach Omaha within its designated time.

There was but little conversation in the car, and soon many of the passengers were overcome with sleep. Passepartout found himself beside the detective; but he did not talk to him. After recent events, their relations with each other had grown somewhat cold; there could no longer be mutual sympathy or intimacy between them. Fix’s manner had not changed; but Passepartout was very reserved, and ready to strangle his former friend on the slightest provocation.

Snow began to fall an hour after they started, a fine snow, however, which happily could not obstruct the train; nothing could be seen from the windows but a vast, white sheet, against which the smoke of the locomotive had a greyish aspect.

At eight o’clock a steward entered the car and announced that the time for going to bed had arrived; and in a few minutes the car was transformed into a dormitory. The backs of the seats were thrown back, bedsteads carefully packed were rolled out by an ingenious system, berths were suddenly improvised, and each traveller had soon at his disposition a comfortable bed, protected from curious eyes by thick curtains. The sheets were clean and the pillows soft. It only remained to go to bed and sleep which everybody did–while the train sped on across the State of California.

The country between San Francisco and Sacramento is not very hilly. The Central Pacific, taking Sacramento for its starting-point, extends eastward to meet the road from Omaha. The line from San Francisco to Sacramento runs in a north-easterly direction, along the American River, which empties into San Pablo Bay. The one hundred and twenty miles between these cities were accomplished in six hours, and towards midnight, while fast asleep, the travellers passed through Sacramento; so that they saw nothing of that important place, the seat of the State government, with its fine quays, its broad streets, its noble hotels, squares, and churches.

That and Which

[The car which he occupied was a sort of long omnibus on eight wheels, and with no compartments in the interior. The line from San Francisco to Sacramento runs in a north-easterly direction, along the American River, which empties into San Pablo Bay.]

Many people find it difficult to know whether to use that or which. When you are introducing information that is essential, you can use either that or which. In first example, we have ‘The car which he occupied’. The fact that this is the car that Passepartout is occupying is essential to the sentence. It separates this car from the other cars he goes on to describe. It is useful to note, that many people prefer to use that for essential information. The example could also be written as ‘The car that he occupied’. When you are providing extra information, use which. The sentence should still make sense without the extra information. In second example, we have ’the American River, which empties into San Pablo Bay.’ The fact that the river empties into San Pablo Bay is not essential. The sentence is describing the train line. We could leave out the information about the Bay without affecting the meaning of the sentence. Learn more about using that and which.

Vocabulary

omnibus

\Om"ni*bus\

A long vehicle, having seats for many people; a bus.
— 1913 Webster

provocation

\Prov`o*ca"tion\

Unfriendly behaviour that causes anger or resentment.

dormitory

\Dor"mi*to*ry\

A sleeping room, or a building containing a series of sleeping rooms; a sleeping apartment capable of containing many beds.
— 1913 Webster

ingenious

\In*gen"ious\

Showing inventiveness and skill; “a clever gadget”.

improvised

To invent, or provide, offhand, or on the spur of the moment; as, he improvised a hammer out of a stone.
— 1913 Webster