Chapter 35, Section 2

Fogg spends the following day at home

Passepartout, having received his orders, had nothing to do but obey them. He looked at his imperturbable master, and could scarcely bring his mind to leave him. His heart was full, and his conscience tortured by remorse; for he accused himself more bitterly than ever of being the cause of the irretrievable disaster. Yes! if he had warned Mr. Fogg, and had betrayed Fix’s projects to him, his master would certainly not have given the detective passage to Liverpool, and then–

Passepartout could hold in no longer.

“My master! Mr. Fogg!” he cried, “why do you not curse me? It was my fault that–”

“I blame no one,” returned Phileas Fogg, with perfect calmness. “Go!”

Passepartout left the room, and went to find Aouda, to whom he delivered his master’s message.

“Madam,” he added, “I can do nothing myself–nothing! I have no influence over my master; but you, perhaps–”

“What influence could I have?” replied Aouda. “Mr. Fogg is influenced by no one. Has he ever understood that my gratitude to him is overflowing? Has he ever read my heart? My friend, he must not be left alone an instant! You say he is going to speak with me this evening?”

“Yes, madam; probably to arrange for your protection and comfort in England.”

“We shall see,” replied Aouda, becoming suddenly pensive.

Throughout this day (Sunday) the house in Saville Row was as if uninhabited, and Phileas Fogg, for the first time since he had lived in that house, did not set out for his club when Westminster clock struck half-past eleven.

Why should he present himself at the Reform? His friends no longer expected him there. As Phileas Fogg had not appeared in the saloon on the evening before (Saturday, the 21st of December, at a quarter before nine), he had lost his wager. It was not even necessary that he should go to his bankers for the twenty thousand pounds; for his antagonists already had his cheque in their hands, and they had only to fill it out and send it to the Barings to have the amount transferred to their credit.

Mr. Fogg, therefore, had no reason for going out, and so he remained at home. He shut himself up in his room, and busied himself putting his affairs in order. Passepartout continually ascended and descended the stairs. The hours were long for him. He listened at his master’s door, and looked through the keyhole, as if he had a perfect right so to do, and as if he feared that something terrible might happen at any moment. Sometimes he thought of Fix, but no longer in anger. Fix, like all the world, had been mistaken in Phileas Fogg, and had only done his duty in tracking and arresting him; while he, Passepartout. . . . This thought haunted him, and he never ceased cursing his miserable folly.

Finding himself too wretched to remain alone, he knocked at Aouda’s door, went into her room, seated himself, without speaking, in a corner, and looked ruefully at the young woman. Aouda was still pensive.

About half-past seven in the evening Mr. Fogg sent to know if Aouda would receive him, and in a few moments he found himself alone with her.

Phileas Fogg took a chair, and sat down near the fireplace, opposite Aouda. No emotion was visible on his face. Fogg returned was exactly the Fogg who had gone away; there was the same calm, the same impassibility.

Continually and Continuously

Passepartout continually ascended and descended the stairs

Be careful when using continually and continuously; many people get them confused. Use continually for something that happens often or frequently with breaks in between. Use continuously for something that is constant with no breaks. Learn more about using continually and continuously.

Vocabulary

remorse

\Re*morse"\

The anguish, like gnawing pain, excited by a sense of guilt; compunction of conscience for a crime committed, or for the sins of one’s past life.
— 1913 Webster

irretrievable

\Ir`re*triev"a*ble\

Not retrievable; irrecoverable; irreparable.
— 1913 Webster

pensive

\Pen"sive\

Thoughtful, sober, or sad; employed in serious reflection; given to, or favourable to, earnest or melancholy musing.
— 1913 Webster

antagonists

\An*tag"o*nist\

One who contends with another, especially in combat; an adversary; an opponent.
— 1913 Webster

folly

\Fol"ly\

A foolish act; an inconsiderate or thoughtless procedure; weak or light-minded conduct; foolery.
— 1913 Webster

ruefully

\Rue"ful*ly\

Expressing sorrow.
— 1913 Webster